Son et Lumière

Mark Hansen and Ben Rubin, Listening Post, 2002. 31 miniature text display screens and other electronic components, copper wire, aluminum, loudspeakers, and software; 21 x 14 x 3 ft. Courtesy of the artists. Photo by David Allison.

Mark Hansen and Ben Rubin, Listening Post, 2002. 31 miniature text display screens and other electronic components, copper wire, aluminum, loudspeakers, and software; 21 x 14 x 3 ft. Courtesy of the artists. Photo by David Allison.

Mark Hansen and Ben Rubin, Listening Post, 2002. 31 miniature text display screens and other electronic components, copper wire, aluminum, loudspeakers, and software; 21 x 14 x 3 ft. Courtesy of the artists. Photo by David Allison.

Jennifer Allora & Guillermo Calzadilla, Traffic Patterns, 1993-2003. Drop Ceiling, controller/relay system synchronized to traffic light in San Juan, Puerto Rico; dimensions variable. Photo courtesy of The Americans Society and Allora & Calzadilla.

Jennifer Allora & Guillermo Calzadilla, Traffic Patterns, 1993-2003. Drop Ceiling, controller/relay system synchronized to traffic light in San Juan, Puerto Rico; dimensions variable. Photo courtesy of The Americans Society and Allora & Calzadilla.

Ann Lislegaard, Corner Piece-The Space between Us, 2000-2003. Architectural sound/light installation: painted wood corner structure, 4 built-in wall speakers, amplifier, color-organ, 2 halogen lights, audio CD, CD-player, carpet; dimensions variable.Courtesy the artist and Murray Guy, N.Y., N.Y. Photo courtesy of Mexico

Bruce Bemis, Bipolar Radiance, 2003. 16mm film projection installation, 25 x 12 x 2 ft. Photo courtesy of the artist.

Jessica Rylan, Voice of the Theater, 2003-2004. Mixed media sound installation, dimensions variable. Photo courtesy of the artists.

Mark Hansen and Ben Rubin, Listening Post, 2002. 31 miniature text display screens and other electronic components, copper wire, aluminum, loudspeakers, and software; 21 x 14 x 3 ft. Courtesy of the artists. Photo by David Allison.